This shawl was the most fun I've ever had knitting. To learn new techniques (brioche for me) and watch the colors play with one another was brilliant. The design is like a shape shifter depending on the five colors chosen, as you can view in other samples in #shawlographyMKAL2021. My hand-dyed yarns from five different sources have a bit of variegation creating some streaks across the brioche section, and being a mystery knit-a-long, I likely would have chosen a different color palate to work with if I had known what I know now. I ran out of orange near the end, so substituted a yarn that had orange tones in it, and made one ridge per stripe for the border. The yarn chicken gods were with me, because I had exactly one yard remaining at the end.
Unlike anything I've ever made, it miraculously mirrors the colors and design elements of the quilt hanging above my "knitting nest" couch, which was donated during my daughter's cancer journey. I love the transformation theme of that quilt, from caterpillars to butterflies, and how this shawl saw me through a transformation of my own before and recovering from breast cancer surgery. I completed the shawl just as my constant pain is easing.
The music is me on harpsichord in a college practice room at age 18, composer Frescobaldi in the 1600s from the era which reminds me of design elements in the shawl. Elizabethan era ruff collars were all the rage, and the collars were so labor-intensive to make and keep that people had special carrying cases for them. I think this shawl deserves a special carrying case.
Staying close to the wealth of nature and making with my hands bring me greatest joy and comfort. You can find me on Instagram as @waterwomanknits, and on Ravelry as Waterwoman-Knits.